A merry brigade keeps company to Alice in her games and adventures in the backyard. Emma Chichester Clark gives to younger readers as well as to grown ups, a joyful and amusing story set in a world full of things to discover. The bright colours and the appealing illustrations of the English author transform Lewis Carroll's classic in a contemporary tale in which dreams and reality are the same thing.
Showing posts with label adaptation. Show all posts
Showing posts with label adaptation. Show all posts
Saturday, 23 February 2013
Emma Chichester Clark. Alice in Wonderland.
A merry brigade keeps company to Alice in her games and adventures in the backyard. Emma Chichester Clark gives to younger readers as well as to grown ups, a joyful and amusing story set in a world full of things to discover. The bright colours and the appealing illustrations of the English author transform Lewis Carroll's classic in a contemporary tale in which dreams and reality are the same thing.
Wednesday, 12 September 2012
Shelagh McNicholas. Alice in Wonderland.
Shelagh McNicholas' illustrations recreate a Wonderland of delicate atmospheres. The colours, soft and bright at the same time, thanks to the watercolour technique, live with a cool pencil drawing which emerges from the painting and often shows the construction marks of figures and scenes. In this way the illustrator obtains pictures with a strong sense of dynamism combined with a light and graceful atmosphere. Even the characters are loving and happy and it seems that they accompany the reader to a country adventure that takes place near a wood in the English countryside.
Friday, 25 May 2012
J. Otto Seibold. Alice in pop-up Wonderland
J. Otto Seibold distorts the image of Alice to which we have been accustomed, even though different in style, by the illustrators' interpretations from the early 20th century to today. In the pop-up book made by only six animated plates, the artist presents a new Alice deprived of romanticism, fairy atmosphere and crinoline which often has accompanied Carroll's tale. The pop-up mechanisms are simple, not spectacular and they do not distract the reader's attention from the super-coloured and graphically very cool and dynamic illustrations. Everything works perfectly in Seibold's story; the text, minimized and composed by extravagant fonts, comes alongside with the illustrations and, in a certain sense, becomes a substantial part of it. Thanks to the balance of all the elements by which it is composed, this book can be considered not just an illustrated book but a perfect graphic artwork.
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